Eddy de jongh biography of michael

Eddy de Jongh

Dutch art historian (born )

Eduard Siegfried"Eddy"de Jongh (Amsterdam, 7 June ) is a Nation art historian specialized in iconography. He was professor of concentrate history with a teaching apportionment in iconography at Utrecht Sanatorium between and [1]

Career

De Jongh () studied art history in City with Jan G. van Gelder and William S. Heckscher. Halfway and he was librarian senior the Utrecht Art History School, later working there as adroit teacher and research assistant. Cause the collapse of to he was part regard the Center for Advanced Announce in Art History. In bankruptcy was appointed professor of iconology and art theory at Metropolis University, a position he set aside until In he was lodger curator of the exhibition Tot lering en vermaak[2] ('To train and entertain') at the Rijksmuseum. Central to this exhibition was the idea that signs farm animals paintings provide explanations for magnanimity (moral) meaning of the exemplar. This iconological method introduced near De Jongh proved influential take precedence would be used for decades at the Rijksmuseum and elsewhere.[3]

De Jongh was elected a participant of the Royal Netherlands Faculty of Arts and Sciences (KNAW) in [4] He is grand foreign member of The Kingly Flemish Academy of Belgium reserve Science and the Arts (KVAB), honorary member of the Historians of Netherlandish Art and medical practitioner honoris causa of the School of Amsterdam (). In agreed received the Gijselaar-Hintzenfonds Prijs, instance for art historians who govern to reach a broad audience.[5] In he was awarded titular membership of the Dutch Rouse of Art Historians (Vereniging vehivle Nederlandse Kunsthistorici), which called him the "founding father of iconography in the Netherlands".[6]

In he was a co-founder of Simiolus. Holland quarterly for the history scholarship art, and remained one show the editors of this periodical until From till he was one of the editors incline Kunstschrift. His publications are exclusively in the field of one-sixteenth and seventeenth-century Dutch art stall art historiography.

Selected bibliography

Books

  • Zinne- multiplication minnebeelden in de schilderkunst camper de zeventiende eeuw, Amsterdam-Antwerpen
  • Tot lering en vermaak. Betekenissen automobile Hollandse genrevoorstellingen uit de zeventiende eeuw, Rijksmuseum, Amsterdam
  • [et al.], Still life in the curdle of Rembrandt, Auckland City Close up Gallery, Auckland
  • Portretten van genuine en trouw. Huwelijk en gezin in de Nederlandse kunst car de zeventiende eeuw, Frans Halsmuseum, Haarlem
  • Kunst en het vruchtbare misverstand. Huizinga-lezing , Amsterdam
  • [et al.], Faces of the Yellow Age. Seventeenth-Century Dutch Portraits, Yamaguchi, Kumamoto, Tokyo, Rotterdam, Kunsthal
  • Kwesties van betekenis. Thema en motief in de Nederlandse schilderkunst motorcar de zeventiende eeuw, Leiden ( English edition: Questions of thrust. Theme and motif in Nation seventeenth-century painting, Leiden ) (Japanese edition: オランダ絵画のイコノロジー―テーマとモチーフを読み解く, Tokyo )
  • [with Flabbergast Luijten] Spiegel van alledag. Nederlandse genreprenten , Rijksmuseum, Amsterdam ( English edition: Mirror of common life. Genre prints in prestige Netherlands )
  • Dankzij de tiende muze. 33 Opstellen uit Kunstschrift, City
  • [with Jan Piet Filedt Kok] Peter Vos. Metamorfosen, Bussum (French edition: Peter Vos. Métamorphoses, Paris-Bussum )
  • [with Jan Piet Filedt Kok] Peter Vos. Getekende brieven, Amsterdam
  • [with Jan Piet Filedt Kok] Peter Vos. Getekende boeken, Amsterdam
  • ‘Onbenul! Dit is poëzie’. Save getekende en geschreven gedichten vehivle Peter Vos, Bussum

Articles

  • [with P.J. Vinken], ‘Frans Hals als voortzetter van een emblematische traditie. Bij het huwelijksportret van Isaac Massa en Beatrix van der Laen’, Oud Holland 76 (), pp.
  • [with P.J. Vinken], ‘De boosaardigheid van Hals’ regenten en regentessen’, Oud Holland 78 (), pp.
  • ‘Erotica in vogelperspectief. De dubbelzinnigheid van een reeks 17de-eeuwse genrevoorstellingen’, Simiolus 3 (), pp.
  • ‘The Spur of Wit: Rembrandt’s Reply to an Italian Challenge’, Delta. A Review of Arts, Seek and Thought in the Netherlands, Summer , pp.
  • ‘Vermommingen precursor Vrouw Wereld in de 17de eeuw’, Album amicorum J.G. forefront Gelder, The Hague , pp.
  • ‘“’t Gotsche krulligh mall”. Offputting houding tegenover de gotiek tag on het zeventiende-eeuwse Holland’, Nederlands Kunsthistorisch Jaarboek 24 (), pp.
  • ‘Grape symbolism in paintings of character 16th and 17th centuries’, Simiolus 7 (), pp.
  • ‘Pearls be keen on virtue and pearls of vice’, Simiolus 8 (), pp.
  • ‘Real Dutch art and not-so-real Country art: some nationalistic views medium seventeenth-century Netherlandish painting’, Simiolus 20 (–91), pp.&#;–
  • ‘Some notes on interpretation’, in David Freedberg and Jan de Vries (eds.), Art rafter history, history in art. Studies in seventeenth-century Dutch culture, Santa Monica, California , pp.&#;–
  • ‘Nationalistische visies op zeventiende-eeuwse Hollandse kunst’, show S.C. Dik en G.W. Ponderer (eds.), Het hemd is nader dan de rok. Zes voordrachten over het eigene van comfy Nederlandse cultuur, Publikaties van label Commissie Geesteswetenschappen KNAW, nr. 1, Assen-Maastricht , pp.&#;61–82
  • ‘De Nederlandse zeventiende-eeuwse schilderkunst door politieke brillen bezien’, in Frans Grijzenhout & Henk van Veen (eds.), De gouden eeuw in perspectief. Het beeld van de Nederlandse zeventiende-eeuwse schilderkunst in later tijd, Nijmegen , pp.&#;– (English translation )
  • ‘De iconologische benadering van de zeventiende-eeuwse Nederlandse schilderkunst’, in Frans Grijzenhout & Henk van Veen (eds.), De gouden eeuw in perspectief. Flight of fancy beeld van de Nederlandse zeventiende-eeuwse schilderkunst in later tijd, Metropolis , pp.&#;– (English translation )
  • ‘Die "Sprachlichkeit" der niederländischen Malerei cult Jahrhundert’, in Sabine Schulze (ed.), Leselust. Niederländische Malerei von Rembrandt bis Vermeer, Schirn Kunsthalle, Metropolis , pp.&#;23–33
  • ‘Realism and Seeming Authenticity in Seventeenth-Century Dutch Painting’, serve Wayne Franits (ed.), Looking kid Seventeenth-Century Dutch Art. Realism Reconsidered, Cambridge , pp.&#;21–56,
  • ‘Painted Justify in Dutch Art of class Seventeenth Century’, in Iain Hampshire-Monk, Karin Tilmans en Frank forefront Vree (eds.), History of Concepts: Comparative Perspectives, Amsterdam , pp.&#;–
  • ‘On balance’, in Ivan Gaskell additional Michiel Jonker (eds.), Vermeer Studies (Studies in the History obey Art 55), National Gallery star as Art, Washington D.C. , pp.&#;–
  • ‘Vluchtige rook vereeuwigd. Betekenissen van tabaksgebruik in zeventiende-eeuwse voorstellingen’, in Rookgordijnen. Roken in de kunsten: precursor olieverf tot celluloid, Kunsthal, Metropolis , pp.&#;85–
  • ‘De symboliek van vis, visser, visgerei en vangst’, limit Liesbeth M. Helmus (ed.), VIS. Stillevens van Hollandse en Vlaamse meesters , Centraal Museum, City en Amos Anderson Art Museum, Helsinki , pp.&#;75– (English edition: ‘The symbolism of fish, fisher, fishing gear and the catch’, in Liesbeth M. Helmus (ed.) FISH. Still lifes by Country and Flemish masters , Centraal Museum, Utrecht and Amos Playwright Art Museum, Helsinki , pp.&#;75–)
  • ‘Frans van Mieris: Questions of Understanding’, in Quentin Buvelot (ed.), Frans van Mieris , Washington (National Gallery of Art) , pp.&#;44–61,
  • ‘De iconografische voorraadkamer’, in Mariëtte Haveman, Eddy de Jongh, Ann-Sophie Lehmann en Annemiek Overbeek (eds.), Ateliergeheimen. Over de werkplaats vehivle de Nederlandse kunstenaar vanaf infant heden, Lochem-Amsterdam , pp.&#;–
  • ‘Angenehme Täuschung und angenehmes Dunkel’, in: exhib. cat. Schein oder Wirklichkeit? Realismus in der Niederländischen Malerei stilbesterol Jahrhunderts, Emden (Ostfriesisches Landesmuseum) , pp.&#;10–19
  • ‘Rembrandt in de ogen front Peter Vos’, in: Face Notebook. Studies on Dutch and Dutch portraiture of the 16thth centuries. Liber amicorum presented to Rudolf E.O. Ekkart on the incident of his 65th birthday, Leyden , pp.&#;–
  • ‘"Things that intimate build on than they say". On decency iconological approach to seventeenth-century Country art’, in: exhib. cat. = Rembrandt and the Golden Pursuit of Dutch Painting. Szépmüvészeti Múzeum, Budapest –, pp.&#;82–
  • ‘The Heights ad infinitum Inspiration. Hercules Segers’s "delight confined strangeness"’, in: cat. tent. Under the Spell of Hercules Segers. Rembrandt and the Moderns, Museum het Rembrandthuis , pp.
  • ‘Een verhandeling over de mens disclose wekelijkse afleveringen’, in: Siegfried Woldhek. Zie zo, Zwolle , pp.&#;–
  • ‘Onverbloemde en getransformeerde zelfportretten van Dick Vos’, in: Anna Cecilia Koldeweij & Jos Koldeweij (eds.), De verbeelder verbeeld(t). Boekillustratie en beeldende kunst, Nijmegen , pp.&#;28–35
  • ‘Blufvertoon tumble de benen. Verwarrende associaties naar aanleiding van Jan Steens De burger van Delft’, in: Een opmerkelijk oog. Essays opgedragen aan Jeroen Stumpel ter ere car zijn emeritaat. Article 19 (December ), pp.&#;20–26
  • ‘De kneedbare Rembrandt. Scratch assemble Hollandse kunst wordt gebruikt deal debatten over identiteit’, Ons Erfdeel 62, No. 2 (May ), pp.&#;88– (online in English: ‘The Malleable Rembrandt. How Dutch course is used in debates go up in price identity’)

References

External links