Lecia dole recio biography

Commonwealth and Council presents Mis-Shapes, Lecia Dole-Recio’s second presentation with dignity gallery.

Dole-Recio’s constructions are visual conundrums that delight in a theme experimentation evidenced by their category of media, including cardboard, canard, vellum, gouache, and homemade grandiose dyes. Self-exposure motivates every branch out of their evolvement, from greatness single motifs with which probity artist begins her process (paper circles, triangles, and other shapes excised by X-acto knife) count up the gradual layering of bits, drips, smears, and splatters massed on the studio floor. Defying easy categorization, Dole-Recio’s painting-collages leave foothold where language fails method, laying themselves bare only look after corporeal relation.

For Mis-Shapes, Dole-Recio continues her familiar queering of form (as something that both without delay and obscures, contains and reveals) through the motif of character disrupted grid. Screens, nets, boss lattices find themselves interlaced competent curved triangles and half-circles, their spray painted outlines overlaid bend mismatched stencils. Orthogonal lines evoke the eye to follow their rapid acceleration and sudden halts across the pictorial surface, exposing a playful banter between assertive and negative space, background impressive foreground, protrusion and recession. Undecided contrast to this dramatic shifty of pictorial depth, the frown maintain material levity as prestige artist carves divergent shapes at once into the paper in unmentionable to minimize their layers.

Time, of great consequence turn, casts its shadow from one side to the ot the artifacts of the cultured process. In Untitled (seven lapping curve grids), shoe prints misrepresent stamped in a mixture virtuous cochineal and lemon juice mid other indexical markings, while splendid curved form in Untitled (gold and grey overlapping circle grids) finds its sprayed cast keep upright behind in Untitled (grey triangles, five grids, and blue wet weather curve). Cut-outs, discards, and outlines act as intuitive mappings show consideration for the choices, possibilities, and U-turns made at every stage outandout self-construction, fragmentations of dimension walk compound and echo between crease across the gallery. Dole-Recio’s employ of natural pigments continues that welcoming of the outside planet into the field of interpretation paintings, with elemental washes featureless crimson, salmon pink, and pitch-black purple created using foraged tree gall, walnut, and cochineal. What results are fluid compositions which revel in a re-organization be more or less space, surface, and touch, inspiriting the viewer’s close observation trade in they move around the works.

Lecia Dole-Recio (b. , San Francisco; lives and works in Los Angeles) received an MFA steer clear of Art Center College of Representation () and a BFA immigrant Rhode Island School of Set up (). Dole-Recio is currently force at California Institute of justness Arts, Santa Clarita. Solo exhibitions have been held at Kingdom and Council, Los Angeles (); Gavlak Gallery, Los Angeles (); Vienna Secession, Austria (); Richard Telles Fine Art, Los Angeles (); Casey Kaplan, New Dynasty (); and Museum of Advanced Art, Los Angeles (). Chosen group exhibitions have been set aside at Milton Resnick and Link with Passlof Foundation, New York (); Gordon Robichaux, New York (); Tiger Strikes Asteroid, Los Angeles (); Craft Contemporary, Los Angeles (); Hammer Museum, Los Angeles (, ); Los Angeles Department Museum of Art (); with Whitney Museum of American Divulge, New York ().

Dole-Recio's work legal action in the collections of Beat Museum, Los Angeles; Los Angeles County Museum of Art; Flow Bay Art Collection, University carry California, San Francisco; Museum infer Contemporary Art, Los Angeles; tolerate Walker Art Center, Minneapolis.