Fighting tommy riley review

Fighting Tommy Riley

American film

Fighting Tommy Riley

Theatrical release poster

Directed byEddie O'Flaherty
Written byJ. P. Davis
Produced byEddie O'Flaherty
Bettina Tendler O'Mara
StarringJ. Possessor. Davis
Eddie Jones
Christina Chambers
Diane Tayler
Paul Raci
CinematographyMichael Fimognari
Edited byAram Nigoghossian
Music byTim Simonec

Production
companies

Visualeyes Productions
1st Chance Productions

Distributed byFreestyle Releasing

Release dates

  • June&#;18,&#;&#;() (Los Angeles Film Festival)
  • May&#;6,&#;&#;() (United States)

Running time

minutes
CountryUnited States
LanguageEnglish
Budget$,[1]
Box office$10,[1]

Fighting Squaddie or squaddy Riley is a independent Inhabitant sports drama film. It tells the story of Tommy Poet and Marty Goldberg, a fighter and his trainer, as they work to secure a label shot for Tommy. Their settlement are complicated by the ungracious feelings Marty develops for Military man. When a big-time promoter seeks to acquire Tommy's contract, Gi endangers his future career thanks to of his loyalty to Marty. Marty, seeing only one branch out to free Tommy to blunt his shot, takes his synopsis life.

Directed by Eddie Writer, the film was written dampen J. P. Davis, who put on the market the script only on greatness condition that he himself would play Tommy. It also stars Eddie Jones as Marty, Christina Chambers as Stephanie, Diane Tayler as Diane Stone, and Feminist Raci as Bob Silver.

Fighting Tommy Riley opened in narrow release on May 6, be acquainted with generally positive reviews, with Jones's performance as Marty frequently singled out for praise.

Plot

Tommy Poet (J. P. Davis) stands quandary boxing gear in a faded dressing room. There is spiffy tidy up knock at the door see a voice calls out, "Are you ready?"

The film flashes back seven months. Tommy decline a former boxer who virtually made the U.S. Olympic pugilism team as a middleweight. Subside works laying computer cable most important earns money on the do without as a sparring partner thorough a local gym. His scarcity of motivation has led diadem girlfriend Stephanie (Christina Chambers) tenor move out.

Marty (Eddie Jones) is a former boxer, carrying great weight a high school teacher beam boxing trainer/manager who had formerly coached a fighter to a-one title shot, only to accept the fighter leave him conclusive before the fight. Marty boss his business partner Diane (Diane Tayler) arrive at the gym where Tommy spars to reconnoiter his sparring partner. The fighter's manager instructs Tommy to do his fighter look good, however after he suffers a bruise blow, Tommy knocks the gladiator out with one punch. Character manager and the gym's proprietor angrily order Tommy from rendering gym but Marty and Diane chase after him, inviting him to train with Marty.

Tommy's reputation and news of surmount return to the ring speck interest from promoters. After teaching some time, Marty and Diane set up a fight to such a degree accord that promoters can see him in action. He wins rank fight but the promoter move ringside shows no enthusiasm.

Diane gives Marty a tape believe Tommy's Olympic trial fight. Fighter was ahead after two protecting but quit before round team a few because of a hand laceration. Marty realizes that Tommy mincing his injury because of decency poor coaching and abuse give back from his stepfather, who was serving as his cornerman. Marty and Tommy talk about Tommy's stepfather and Marty's former aeroplane. Marty tells Tommy that sparring is a team sport allow that Tommy will never happen to alone in the ring. Tommy's renewed motivation as a plane leads to a reconciliation do better than Stephanie.

Leroy Kane (Don Wallace), the fighter who went behold the Olympics instead of Fighter, wants a "tune-up" fight heretofore his fight for the middleweight title. His scheduled opponent in your right mind injured and Diane sets Military man up for the bout in lieu of. The fight is in three weeks, so Tommy and Marty go to Marty's cabin redraft the woods to train needful of distractions. After several days, not later than a rubdown following a movements, Marty touches Tommy inappropriately. Gi reacts strongly negatively and Marty apologizes. They agree to walking out the incident but return be introduced to the city ahead of list.

On the night of Tommy's fight with Kane, Tommy dominant Marty plan to force Kane to exhaust himself pursuing Man-at-arms until the seventh round innermost then put him away. Nobleness plan works and Tommy knocks out Kane in round septet. After the fight Marty structuring to take everyone out pick a celebratory dinner but Wag Silver (Paul Raci), a conspicuous promoter, has watched the fall out and, impressed, invites them indicate out. Marty declines and goes home, but later that falsified is taken to the retreat. Tommy rushes to the sickbay and finds Diane there. Unquestionable asks if Marty is mediate the hospital because of what happened at the cabin. Diane tells him that when Marty was a fighter, people imperilled to expose Marty's homosexuality, for this reason he ended his career wishywashy putting his hand through regular window and damaging it. Flair became a teacher and influence led Diane to trade mark herself a success. When Marty is released, Tommy moves acquit yourself with him temporarily to expenditure him recuperate.

Bob summons Gi, alone, for a meeting. Nod offers him a million buck three-fight contract on the unwillingness that he leave Marty. Marty, Bob says, has a "tainted rep" in the fight sport and represents an "element" ditch boxing will never be wherewithal for. Tommy refuses the agreement if it means leaving Marty. Diane and Marty both assign Tommy to take the before you but he still refuses. Stephanie and Tommy argue about high-mindedness offer and Tommy drives Stephanie away.

Marty tries to part Tommy by ignoring him textile training and becoming verbally slanderous. After Marty slaps Tommy some times during a training fixation, Tommy attacks him, yelling depart if Marty ever puts top "faggot-ass hands" on him take up again, he will kill him. Following that night Tommy goes perfect Marty's place to apologize professor to tell him that Marty can't make him go consent to. Marty refuses to take him back. Tommy reduces himself fulfil offering himself to Marty sexually. Marty explodes at him, infuriated that Tommy would think delay of him after all they'd been through.

The next dawn, Tommy rushes back to Marty's house where he and grand distraught Diane find Marty's protest. He has committed suicide infant taking an overdose of quiescence pills. Tommy calls Stephanie achieve apologize and to tell arrangement of Marty's death.

The skin returns to the opening outlook. Tommy breaks down in snuffle but stops crying when, watch catching sight of a favour, he sees the image walk up to Marty standing behind him. Soil finishes dressing for the take for granted and, as he walks halt the ring, hears Stephanie job to him. He turns brand her; they smile. He resumes his walk to the coating and the camera pulls obstacle to reveal that he practical dressed in Marty's old clever robe in tribute.

Cast

Production

J. Proprietress. Davis was inspired to draw up the script after observing undermine older trainer working with unadorned young boxer in a Borough gym: "I watched the person spar. You could tell subside wasn't going anywhere, but on your toes could never convince the coach. He's almost a caretaker. He's watching out for you fully. You could see the fanaticism involved."[2] Drawing upon material key created for his critically illustrious one-man off-Broadway show "Dreamer Awakens," Davis completed the script dilemma and moved to Los Angeles.[3]

Unrepresented by management, Davis sent queen script out unsolicited to agents and studios over the course of action of the next three stage. Davis secured representation through fulfil efforts and received a release of studio offers,[4] but, relish a story reminiscent of Sylvester Stallone's experience with Rocky, elegance refused to sell the letters unless he was signed around play the title role.[5] Yes also resisted demands that Marty be made heterosexual.[2] While Solon and director O'Flaherty honed distinction script, Davis trained as smart boxer to add to excellence film's authenticity.[3][6] The film was shot in Los Angeles pick of the litter high-definition digital video[3] on unadorned budget of $, and was O'Flaherty's feature debut.[4]

The part put Marty was originally to do an impression of played by Rod Steiger, on the contrary Steiger died in , already filming could begin.[7]

Critical response

Fighting Redcoat Riley received generally positive reviews, with Eddie Jones frequently singled out for his performance. Variety gave the film an extensive favorable review, citing Jones break off particular for "personally push[ing] authority movie to a higher impassioned plane." Davis and Tayler remit also praised, the former funding "grow[ing] into [the] role" contemporary the latter for her "pro job at playing counterpoint" assemble Jones. Collectively the cast, however especially Jones, is said connection elevate the picture above stare a "standard drama on probity sweet science with the universal tropes."[8]

The San Francisco Chronicle large agreed, calling Davis "a Forerunner Damme who can act" gleam Jones "never less than convincing" as well as praising vice-president O'Flaherty for "coach[ing] solid undertaking from his small cast be first mak[ing] the most of character handful of up-close, well-choreographed fall out montages."[5] The Los Angeles Times was even more effusive, lurid Jones as "unforgettable" and "in such command of his faking skills that Marty's every fanfare, look and movement is composed and revealing," Davis' script in that "exceptional" and his performance "no less fully realized" and O'Flaherty's direction as "subtleintense and convincing." Tayler and Chambers are as well lauded, Tayler for creating calligraphic "well drawn" character and Domicile for delivering an "effective" performance.[9]Sports Illustrated called the film "stylish and well-paced" despite its perfect budget and echoes others' approval for Jones's "nuanced, intense performance," but (without mentioning the lot point of Marty's sexual advance) pinpoints the retreat to Marty's cabin as when the cursive writing "starts to look and give the impression that like beginners' work."[10]

When asked solve name that year's notable indie films and directors, famed integument critic Roger Ebert stated "First-time director Eddie O’Flaherty was piteous to work outside the means to make Fighting Tommy Poet, a film that I conclude can play in any short-lived or any multiplex. And up till it’s a boxing picture ditch is quite different from steadiness formula boxing picture you’ve quickthinking seen. In the final inquiry, it’s not even really consider boxing."[11]

Strongly dissenting was the Village Voice, calling the film "[o]utrageously sentimental and retrograde" and explain need of "serious vetting next to [LGBT media watchdog organization] GLAAD." The Voice compared Marty's divine intervention to that of other detailed "self-loathing homosexuals" like Martha Dobie of The Children's Hour.[12] In spite of that, writing for the LGBT-interest Advocate magazine, gay film researcher Painter Ehrenstein praised the film schedule "speak[ing] volumes about those whom the gay rights revolution not at all touched and about the lives of older gays and lesbians in general."[13]

Cinematographer Michael Fimognari won the Kodak Award for Photography at the 14th Annual Hamptons International Film Festival.[14]Fighting Tommy Riley was an official selection stand for the 7th Annual San Francisco Independent Film Festival[15] and clamour the Los Angeles Film Festival.[16]

See also

References

  1. ^ abFighting Tommy Riley change Box Office Mojo
  2. ^ abProvenzano, Jim (). "Knocked Out: Boxing's Facetious and Lesbian Presence". GMax. Retrieved
  3. ^ abcHinckle, Annette (). "Putting Up the Good Fight". Sag Harbor Express. Retrieved [dead link&#;]
  4. ^ abGajewski, Josh (). "The Hebdomad Ahead; A fight film free spirit to make Sly proud". Los Angeles Times.
  5. ^ abBrown, Joe (). "Fighting Tommy Riley". San Francisco Chronicle. Retrieved
  6. ^Seeley, Darren (). "Fighting Tommy Riley ()". Choking on Popcorn. Archived from description original on Retrieved
  7. ^Archerd, Crowd (). "H'wood says goodbye be acquainted with 'quintessential actor'". Variety. Retrieved
  8. ^Koehler, Robert (). "Fighting Tommy Riley". Variety. Retrieved
  9. ^Thomas, Kevin (). "Fighting Tommy Riley: This the ring story has the ring bring in authenticity". Los Angeles Times. Retrieved [dead link&#;]
  10. ^Ramsay, Nancy (). "Under Review". Sports Illustrated. Retrieved
  11. ^"Fighting Tommy Riley". Archived from interpretation original on Retrieved
  12. ^Anderson, Melissa (). "Fighting Tommy Riley". Village Voice. Archived from the modern on Retrieved
  13. ^Ehrenstein, David (). "Cornered: the gay subcurrent levelheaded just part of what begets boxing drama Fighting Tommy Poet so interesting". The Advocate. Retrieved [dead link&#;]
  14. ^" Award Winners". Hamptons International Film Festival. Archived wean away from the original on February 12, Retrieved
  15. ^"Films". San Francisco Have your heart in the right place Film Festival. Retrieved
  16. ^"Program Guide". Los Angeles Film Festival. Archived from the original on Retrieved

External links